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VOXPAT 2

VOICE GENERATING SOFTWARE

A REAL-TIME MONSTER, CREATURE & ROBOTIC SOUNDS DESIGNER

INCLUDES LEMUR & TOUCH OSC TEMPLATES.

FEEL THE MULTITOUCH CONTROL USING YOUR TABLET

OR SMARTPHONE.

LISTEN DEMO

EDUARDO VAISMAN | TEAM LEAD AUDIO AT UBISOFT

PRICE 175$

BUY

DEMO

MANUAL

Voxpat is a standalone software developed to create high quality monster, other world creatures and robotic sounds for games, films, music, multimedia projects or for creating sound libraries in just a few minutes. But also for processing any kind of samples or instruments in many different ways.

Procedural audio, audio synthesis, audio convolution, among other audio manipulation techniques are used to create multiple layers of sound using your own voice or pre-recorded audio files.

Includes samples and presets from respected sound designers as Frederic Devanlay, Stephan Schütze, Kate Finan, Russell Gorsky, José Tome & Saro Sahihi.

- REAL-TIME AUDIO PROCESSING.

- UP TO 2 MICROPHONE INPUTS AT SAME TIME.

- MULTI PLAYER INPUT. PROCESS UP TO 4 AUDIO FILES SIMULTANEOUSLY.

- INSTRUMENT INPUT. PLAY ANY VIRTUAL INSTRUMENT.

- PROCESS YOUR INPUT SIGNAL THROUGH 14 AUDIO EFFECTS SIMULTANEOUSLY.

- PROCESS WAV, AIFF AND MP3 FILES.

- INPUT DEPENDING MODE.

- DELAYS SECTION.

- ASSIGNABLE LFO & LFO RATE MODULATION

- MASTER FX RACK.

- RECORDING. BATCH PROCESSING. SAMPLE PROCESSING.

- REC ME SECTION. RECORD YOUR VOICE IN JUST 2 CLICKS.

- INPUT & OUTPUT ROUTING TO DAW OR AUDIO EDITOR.

- REWIRE. SEND ALL EFFECTS SEPARATELY TO ANY DAW

- CONTROL VOXPAT VIA YOUR MIDI DEVICE/TABLET/SMARTPHONE.

- LEMUR & TOUCH OSC TEMPLATES INCLUDED.

- INCLUDES 71 PRESETS & 90 SAMPLES FROM RESPECTED SOUND DESIGNERS.

While I was working in Far Cry Primal I decided to explore Voxpat as an alternative to my usual creature creation process.

I found an audio software with a wide range of use, straightforward interface and a very kind customer support.

MAIN FEATURES

INPUTS

- 2 Microphone with HPF available.

- Multi Player. Play up to 4 audio files simultaneously. Playback speed. Pitch. Loop. Reverse.

- Virtual Instrument Player. Play any VST/AU instrument.

MIX

This section allows mixing the spectral content from 2 inputs into 1 before to be processed through Voxpat.

VOICE EFFECTS

Process input signal through up to 14 simultaneously effects. Each effect includes 3-Band Parametric EQ, HPH and LPF. sends, mute, solo and panorama controls.

INPUT DEPENDING MODE

Activate or deactivate any voice effect depending the input level. It allows creating more dynamic sounds by activating outputs only when the input level is above the selected threshold for each voice effect.

DELAYS MATRIX

Add a delay to any voice effect to create interesting and unique decays to your voice.

VOICE MORPHING

Cross-morphing between S1/S2 mixer sends. It allows creating awesome voice transformations.

OUTPUT MORPHING

Cross-morphing between dry & wet signals.

LFO

Assigns LFO modulation to any effect. Automatic LFO Rate modulation available.

MASTER FX RACK

Includes 2 VST/AU plugin sections (serial & parallel modes available), 5-Band Parametric EQ, Pitch Shifter and a Cutoff Filter (HPF/LPF).

Output Clone mode allows generating a delayed copy of the output signal and to apply a sliight different pitch shifting in comparison with the original output, creating interesting decay effects.

RECORDING

Export Stereo/Mono WAV or AIFF files. Up to 192kHz / 32 Bits (depending your soundcard). Simultaneously dry/wet output signal recording mode available.

BATCH PROCESSING

Allows processing and recording a batch of files within a selected folder in just one-click. Stereo & Mono.

SAMPLE PROCESSING

Allows processing and recording any audio file in just one-click. Stereo & Mono.

REC ME

A quick way to record your voice to be processed through Voxpat in a few seconds.

PRESETS MANAGER

Create your own presets. Includes 71 presets from respected sound designers.

MIDI MATRIX

Control Voxpat via your midi device, tablet or smatrphone. Lemur & Touch OSC templates included.

INPUT & OUTPUT ROUTING

Process and record audio from any DAW/Audio Editor. Rewire.

KEYBOARD SHORTCUTS

For better and faster user experience.

VOICE EFFECTS

FEAR – BEAST – ROAR - BURST

Predesigned voice effects.

NOISER

Process input signal through 2 noise signal convolution effects at same time. Each noise section generates a different kind of noise signal, which is used as the convolution carrier signal and modulated by the input signal.

Noise A section generates pink noise, white noise, or a mix of both kinds of noise.

Noise B section generates a noise signal based on FM synthesis.

MAMMAL

Procedural audio effect that generates a mammal sound depending on the selected settings. This mammal sound is used as the carrier signal for a convolution processing and is modulated by the input signal.

Output clone mode allows generating a delayed copy of the processed audio output by adding a delay and creating a pitch-shifted decay effect by changing the pitch of this delayed output version.

SHIFTER

Process input signal through 6 pitch-shifting sections at same time.

Input depending section allows selecting different activation/deactivation threshold level for each section, this way you can create more dynamic and realistic voices if sections are activated at different input level, higher or lower depending your configuration.

Delay section allows adding a delay to any of the 6 pitch-shifting sections to create different voice decays.

SCONV | SAMPLE CONVOLUTION

Load any audio file from your computer to be convolved by the input signal. Up to 4 different samples to be used at same time as convolution carrier signals.

Loop and reverse playback mode. Playback speed selector. Amplitude envelope designer. Pitch-shifting. Crossfader. Convolution mode. Samples folder integration. Drag & drop for faster user experience.

SPLAYER | SAMPLE PLAYER

Play any audio file from your computer. Load up to 4 different samples to be played at same time.

Samples can be triggered by the input signal in 2 modes, as long as input is detected or always until the end of the sample length,

Loop and reverse playback mode. Playback speed selector. Amplitude envelope designer. Pitch-shifting. Crossfader. Samples folder integration. Drag & drop for faster user experience.

PLUGIN MORPHING

Load any VST/AU instrument to be convolved by the input signal. Choose either a synthesizer or a sampler as the convolution carrier signal.

Auto Key mode allows playing the selected virtual instrument without the need of using a midi keyboard.

SPECTRA

Process input signal through 2 spectral pitch-shifting sections at same time.

Frequency Range section allows splitting input signal in 2 bands, the inner band containing the selecte audio frequency range and the outer band containing the frequency range above and below the inne frequency range. Both bands can be pitch shifted independently.

Amplitude Range section allows selecting an audio frequency range depending the amplitude level

range selected, from low to high amplitude level. This selected range will be pitch-shifted; the rest of the audio will be ignored. There are 2 range selectors available.

DPITCH

Process input signal through 2 different pitch-shifting sections at same time.

Delay Pitch Shifter section creates delay loops of the incoming audio signal. Each loop introduces a selected amount of pitch-shifting in comparison with the previous loop. Feedback loop can be also processed by a HPF, LPF or a Peak filter. Changing the delay feedback level you can control the amount of loops generated; affecting the decay of the sound and creating interesting pitch-shifting & filtering changing effects.

Dynamic Time-based Pitch Shifter section allows changing the pitch of the incoming audio signal continuously as far as input is detected, like a never-end pitch-shifting. Increasing or decreasing the pitch as fast/slow as you want.

RING

Process the input signal through to 2 single side-band ring modulators.

PLUGS

Process audio input through 2 VST/AU plugins. Serial and parallel plugin processing modes. Plugins audio output cross-morphing available in parallel mode.

TESTIMONIALS

RICHARD DEVINE | NATIVE INSTRUMENTS - DEVINE SOUND

Voxpat is a unique tool that I have used on everything from voices, drums and individual sound effects. It has become an indispensable environment for me here at studio. The results are always fantastic!! "

FREDERIC DEVANLAY |BIG WHEELS STUDIO & RED LIBRARIES

It's a great gear and a valuable partner in my audio tools for now. Samples choice, lot of options for manipulate the audio. From the monster to animal or strange creature, everything is possible. Possibility to add your own samples, it ’s now time to make your beast, unique and flexible sounds with your personal presets.

KATE FINAN | BOOM BOX STUDIO

Voxpat is a sound designer's dream. It combines all of the different vocal processing plugins you might want to use into one massively powerful application: convolution, sample player, ring modulation, harmonizer, FM synthesis, spectral pitch shifting, delays. And the list goes on, and on, and on.

EDUARDO VAISMAN | TEAM LEAD AUDIO AT UBISOFT

While I was working in Far Cry Primal I decided to explore Voxpat as an alternative to my usual creature creation process. I found an audio software with a wide range of use, straightforward interface and a very kind customer support. Voxpat was involved in the voice of "Snow Blood" the wolf, maintaining the tone of the other dire wolves of the game and adding a layer of additional character. I keep the software now as part of my sound creation toolbox for creatures and sound process.

SARO SAHIHI | SOUNDBITS

To me Voxpat 2 is an indespensible tool when it comes to creature or other inhuman voice designs. With the new functions it became even more versatile and an even bigger timesaver. It's a snap to create hundreds of horryifying creature voices in not time. The best thing is: it sounds gret.

FRANK LARATTA | PROPELLER STUDIOS

To Voxpat became an indispensable tool for us during season 1 of Van Helsing, and now on season 2. We had to create unique creature sounds, but also to alter character`s dialogue to give them a creature aspect. We`ve also used it as a flexible sound shaping tool on all kinds os sound fx.

JIM STOUT | ADSR SOUNDS

To Voxpat is my go to application when it comes to creating creature and monster effects. From the most terrifying demons, to cyborgs of the future, Voxpat is the perfect tools for the job. Digital Brain Instruments has a winner with this one.

REVIEWS

SOUND ON SOUND MAGAZINE

Up and running in an instant, and with recording your own voice or uploading a WAV made as smooth and painless as could be hoped, you’re quickly experimenting with Voxpat’s rack of 14 monstrous effects transforming the human voice into anything from an angry space orc to a tinny robot at the slide of an intuitively presented fader. The pleasure of Voxpat is in its placing a pleasing variety of monstrous possibilities at your fingertips. Read more.

BEDROOM PRODUCERS BLOG

While it’s designed to turn Dr. Jekyll’s voice into Mr. Hyde’s, Voxpat itself is very much like Jekyll and Hyde. If you want to use it for making monster voices, it gives you the standard effects you need in a very smooth and efficient workflow. If you want to use it for music, it becomes the complete opposite – unusual effects that are very much not standard, but take more work to use than your typical effects. In both cases, though, it’s a powerful tool for making sounds dark and weird. Read more.

THE PRODUCER SPOT

Voxpat is incredibly powerful, and fun to use, especially in conjunction with a microphone, but also in all its other functionalities. I can see it saving a lot of time for sound designers, spark new ideas, and nurture a more creative flow of creativity when working on sound effects. Read more.

THE AUDIO SPOTLIGHT

Voxpat really shines when you are using microphone inputs as a sound source and has plenty of effects with fair amount of tweakability to get the desired sound. On top of that, it is also very fun to play with. Read more.